So pleased to say this little painting has sold – it was one of several produced when I was at a painting workshop in Sidmouth during the summer. The memory of it is filled with sun baked days, screaming seagulls (who can steal a sandwich at lightening speed!) and meeting new artists. We were working with acrylic paints and inks, using 4” brushes and old credit cards!
The painting was sold during the regular Newbury Art Group exhibition in West Berks Community Hospital, with a percentage of the sale going to the Friends of the hospital. The exhibition changes every six weeks and there is always something worth seeing there.
Just put several pieces of my work into Kintbury Art Exhibition, including this one, as yet unframed, painted when I was in Sidmouth this summer. It is a mixed media piece, worked with acrylic paints, inks and oil pastels.
The exhibition is raising funds for The Friends of St Mary’s Church in Kintbury and is open Saturday 8th September, 10.30-8.30pm and Sunday 9th, 10.30-4pm.
Just spent two lovely days at a mix media workshop in Sidmouth, Devon. Splashing around acrylic paints and inks, letting accidents happen and become integral to the painting. #chrisforsey #eastdevonartacademy
Just dropped off another painting for show, this time with Newbury Art Group’s exhibition at West Berks Community Hospital in Thatcham where they have a gallery. As part of the Open Studios initiative, the theme for the exhibition was movement.
This is my entry; Evening Swell, oil on paper. It is worked up from a water colour sketch I made some time ago of Shanklin Bay on the Isle of Wight.
Today was handing-in day for Insight, the flagship exhibition organised by West Berkshire and North Hampshire Open Studios. This is my piece – Pilgrim Path, oil on board. Insight opens next weekend (12 May) at Arlington Arts Centre and runs to the end of the month.
I’ve spent the week sorting work for exhibition and sale which in itself is a dreadful business and so time consuming – several hours ruminating on what to submit is the greatest consumer of time. Then there is the mounting and framing when the tiniest speck of something always manages to find itself between the mount and the glass – even if you check it a zillion times. Where does it come from? And the pricing of everything – another minefield! This is punctuated throughout by spikes of doubt about the work – is it actually worthy of framing and putting in front of people?
But here is my therapy. What started out as a not very satisfactory acrylic painting of a view on the Dorset-Wiltshire border has turned into a satisfying colouring-in project! As the week has progressed I have added and subtracted acrylic paint using scalpel, palette knife or whatever tool was to hand, added chalk pastels and soft crayon, de-structured and re-arranged, thoroughly working out my angst with a satisfying result. You can probably see some of my week’s frustrations in the more random marks. It’s all part of the learning curve and more fun than trimming and mounting work.
So where am I?
Exhibiting with the Newbury Art Group in the Town Hall, Newbury, until Sunday 3rd December, 9.30-4.00pm
Selling some of my work – cards, prints, originals – at City Arts Christmas Fair, also in Newbury, Saturday 2nd and Sunday 3rd December, 10-4pm
Getting ready for an exhibition this weekend in East Shefford. I have three pieces in this showcase of local artists being held at St Thomas’s Church, Saturday 15 July, 10-6pm. There is also an Open Garden and concert in the evening – proceeds to the church fund.
Opening this week, as part of Hungerford Arts Festival, 22 Local Artists is a multi-discipline exhibition being held in Chilton Foliat. It is open Saturday/Sunday, from 10-4.30pm, from 1-16 July. My work on show includes this new piece, inspired by the wandering landscape of Wiltshire/Dorset borders.
This painting originated as a ‘blind’ drawing of pots and brushes set out ready for me to start work. It is also by nature a one line drawing. It was produced at a one-day workshop held by Annie Monk (at The White Horse Book Shop, Marlborough) on using acrylics to produce the abstract image. This simple line construction was our starting point – some people then turned their drawing through 90 degrees to put another set of working lines over the first. My natural inclination was to maintain a connection to reality which is why my piece still offers the viewer a strong visual reference.